The Masks
Mystery, enigma, seduction is what is expressed with a mask that conceals one feature. But only a few know where masks come from and the troubled history of masks in Venice.
The mask (the word mask comes from the Arabic “mascharà“, which means mockery, satire) has always been one of the characteristic and indispensable elements in the costume of the actors. Originally it consisted of a hollow face with monstrous or grotesque features, worn to hide human features and, during religious ceremonies, to ward off evil spirits.
With Carnival, the mask becomes a symbol of indulgence, play, jokes, and the illusion of wearing someone else’s clothes, thus expressing different meanings: celebration and transgression, freedom and immorality.
History
The history of the Venetian mask begins as early as 1268. The craftsmen who made masks were called “maschereri” and had their own statute dated April 1436. The production of masks had so intensified that in 1773 there were officially 12 “maschereri” shops in Venice. Rather few considering the demand for masks already in those years, they must have been awfully busy!
‘Good morning “Siora Maschera“
This was the greeting along the calli, the canals and in the campielli. Personal identity, sex, social class no longer existed and one became part of the illusion of Carnival in a unique town where anything can happen. Soon the mask became a symbol of freedom and transgression to all the social rules imposed by the Republic of Venice.
Nice write-up! I always thought the word “mask” came from Middle French “masque” meaning “covering to hide or guard the face” or from Italian “maschera” or from Medieval Latin “masca” meaning “mask, specter or nightmare.”
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The origin of this word is debatable, and rightfully so! In fact there us more than one line of thought.
The history of masks is older than all the languages that live in the world: to get an idea, the oldest masks found are from the neolithic (we speak of about nine thousand years ago), and are carved in stone.
It is from Greece that the Romans adopted the ”masked” performances, first in Syracuse with Aeschilo.
It is plausible, then, that this term, dating back to the thirteenth century, (from which the middle French masque and English mask) derives from ‘masca’, and that such term traveled from the Middle East to us.
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